SanMingZhi 三明治

Sanmingzhi 三明治

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Sanmingzhi Short Story: Write to be read, to be seen

Sanmingzhi Short Story: Write to be read, to be seen

Every day begins with a blank space. Some days it’s a page, some days it’s only a few lines—but every word counts. In this bi-weekly writing workshop, writers gather to build a rhythm, a pulse. Under the gentle guidance of Julia Hollingsworth and Maya Goel, you’ll

Qian Jianan Creative Writing Workshop 2025

Qian Jianan Creative Writing Workshop 2025

来修炼写小说的“武功秘籍”

Is life meaningless? Confronting oneself amid the absurdity of existence

Is life meaningless? Confronting oneself amid the absurdity of existence

唯有面对荒诞，才能真正获得自由

The Language Politics Behind Heart Lamp

The Language Politics Behind Heart Lamp

Maya Goel edited by Leah This year, on the 20(th) of May, the International Booker Prize was awarded to Heart Lamp, a collection of stories written in Kannada by Banu Mushtaq and translated into English by Deepa Bhasthi. The news swept through Indian literary circles, creating a ripple of

梁鸿：我不能用遗憾来评价家乡朋友的生活

梁鸿：我不能用遗憾来评价家乡朋友的生活

你得先知道有这个东西，才能在一个坐标系里去进行思考和写作。

A White Room

Attention is the rarest and purest form of generosity.

Fire & Ink: Writing Desire with Duras｜SanMingZhi Workshop

Fire & Ink: Writing Desire with Duras｜SanMingZhi Workshop

Learn how to write desire with Marguerite Duras

Writing Sex and Intimacy in Fiction | Sanmingzhi Workshop

Writing Sex and Intimacy in Fiction | Sanmingzhi Workshop

In these three writing workshops we will unpick the writing of sex and intimacy in fiction, thinking not only about language and form but also about the politics of bringing sex to the page.

Daughter’s Daughter

Daughter’s Daughter

Not in a way that she would vote for him - she did not even know what it meant to vote.

Crying in Baumarkt

Crying in Baumarkt

Stories of migration, especially when told to those who never have to think about the logistics of mobility, are often cloaked in the language of sacrifice, love, resilience, and tenacity.

三三：全职写作两年，试着和焦虑成为损友

三三：全职写作两年，试着和焦虑成为损友

伴随着对无限与未知的恐惧，是取之不尽的惊喜。